body, html { margin: 0; padding: 0; } .noJavascriptMessage { align-items: center; display: flex; font-family: "Trueno", -apple-system, BlinkMacSystemFont, "Helvetica Neue", Helvetica, sans-serif; justify-content: center; margin: 0; min-height: 100vh; padding: 0; } .noJavascriptMessage > div { max-width: 500px; padding: 20px; text-align: center; } .noJavascriptMessage svg { height: 100px; margin-bottom: 40px; }

Enable JavaScript and refresh the page to view the Center for Hellenic Studies website.

See how to enable JavaScript in your browser.

Classics@ Journal

First Drafts

About

Volume 24

Volume 24

Performance, Relic, Poem: Ephrem’s Hymns on Saints

Volume 24

Notes Towards a Performance Typology of Poetic Scholia

Volume 24

Performance Issues in the Christos Paschon

Volume 24

Introduction. Emotion and Performance in Late Antiquity and Byzantium

Volume 24

Performative Colors in Late Antique Eikones

Volume 24

Performing Holy Foolery in Late Byzantium: Philotheos Kokkinos’s Life of St. Sabas the Younger

Volume 24

Performativity and Theatricality in Palaiologan Iconography: The Composition of the Temptations of Christ in the Chora Monastery

Volume 24

Performance and Subjectivity in an Illustrated Psalter: Vatican gr. 1927

Volume 24

Mosaic and Mimesis: The Eikōn tou Theou and Models of Katanyxis in the Middle Byzantine Church

Volume 24

The Function of Dialogues in Byzantine Religious Imagery

1
2
Next
Last