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Classics@ Journal

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Volume 24

Volume 24

Cassia’s “Woman of Many Sins”: From the Two-Dimensional to the Three-Dimensional Interpretation of Byzantine Poetry

Volume 24

Performance, Relic, Poem: Ephrem’s Hymns on Saints

Volume 24

Notes Towards a Performance Typology of Poetic Scholia

Volume 24

Performance Issues in the Christos Paschon

Volume 24

Introduction. Emotion and Performance in Late Antiquity and Byzantium

Volume 24

The Body as Ritual Space: St. Maximos the Confessor’s Mystagogy and the Architecture of Deification

Volume 24

Performing Orthodoxy in Byzantine Hymnography: Romanos the Melodist’s On the Three Children

Volume 24

Performing the Bible at Dura: A Panel of Elijah and the Widow of Sarepta as tableau vivant

Volume 24

Performative Colors in Late Antique Eikones

Volume 24

The Function of Dialogues in Byzantine Religious Imagery

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