Volume 24 Performing the Bible at Dura: A Panel of Elijah and the Widow of Sarepta as tableau vivant Read more
Volume 24 Performing the Bible at Dura: A Panel of Elijah and the Widow of Sarepta as tableau vivant Read more
Volume 24 Performing Orthodoxy in Byzantine Hymnography: Romanos the Melodist’s On the Three Children Read more
Volume 24 The Body as Ritual Space: St. Maximos the Confessor’s Mystagogy and the Architecture of Deification Read more
Volume 24 Performativity of Old Testament Verses: Proverbs (9:1-6) in the Liturgy and Church Decoration in the Late Medieval Balkans Read more
Volume 24 The Unbearable Brokenness of Artifacts: Dining Utensils as Social Markers of Performance in the Byzantine World (ca. seventh-fifteenth centuries) Read more
Volume 24 From the Oral Tradition to Written Music and Vice Versa: How the Performance of Byzantine Church Music Gives Rise to Different Identity Practices Read more
Volume 24 Affective Affinities in Eastern Mediterranean Poetry and Music: An Online Performance Read more
Volume 24 The Notion of Performance in the Liturgical Commentaries of Symeon of Thessalonica Read more